Vera Veiga França
Universidade Federal de Minas Gerais
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MATRIZes | 2017
Vera Veiga França; Suzana Cunha Lopes
This article aims at reflecting about how the concept of event can be a methodological guide and/or operator in the Communication field. To do so, we started by presenting the pragmatist notion of event. Then, we highlighted some analytical standpoints: the hermeneutic power of the event in the search for meaning regarding temporalities and frameworks; the susceptibility of the event in analyses regarding experiences, effects and the setting of publics; the double life of the event to investigate the existential and symbolic dimensions of a phenomenon; spectacularization in the study of media events; and the individualization of the event to interpret its peculiarities and the social contexto it brings out.
Intercom: Revista Brasileira de Ciências da Comunicação | 2016
Vera Veiga França; Fabíola Souza
This paper presents a reading of the television show Troca de Família, broadcast by Rede Record. The analysis of this reality show urges us to review the characteristics of reality shows, placing them in the broader dynamic of values and social conflicts and in the context of culture. Through the analysis of an episode, we propose to investigate how mothers insert in the new home and the relations that they establish in new families. Illuminated by performance concept and after we have developed an analytical grid based on fixed and central program events, we are faced with the conflicting coexistence between two very different family models. During the relationship, more than the role of the mother, acted cultural models that instructed the performance of the participants and highlighted their differences and contradictions.Este texto apresenta uma leitura do programa televisivo Troca de Familia , apresentado pela Rede Record. Sua analise nos incita a rever as caracteristicas dos reality shows , inserindo-os na dinâmica mais ampla dos valores e dos embates sociais e no quadro da cultura. Por meio da analise de uma troca, propomos investigar o modo como as maes se inserem no novo lar e as relacoes estabelecidas por elas nas novas familias. A luz do conceito de performance , e tendo desenvolvido uma grade analitica a partir dos acontecimentos fixos e centrais do programa, deparamo-nos com a convivencia conflituosa entre dois modelos de familia bastante distintos. No desenrolar da relacao, mais do que o papel da mae, atuaram os modelos culturais que instruiam a performance dos participantes e ressaltaram suas diferencas e contradicoes.
Intercom: Revista Brasileira de Ciências da Comunicação | 2016
Vera Veiga França; Fabíola Souza
This paper presents a reading of the television show Troca de Família, broadcast by Rede Record. The analysis of this reality show urges us to review the characteristics of reality shows, placing them in the broader dynamic of values and social conflicts and in the context of culture. Through the analysis of an episode, we propose to investigate how mothers insert in the new home and the relations that they establish in new families. Illuminated by performance concept and after we have developed an analytical grid based on fixed and central program events, we are faced with the conflicting coexistence between two very different family models. During the relationship, more than the role of the mother, acted cultural models that instructed the performance of the participants and highlighted their differences and contradictions.Este texto apresenta uma leitura do programa televisivo Troca de Familia , apresentado pela Rede Record. Sua analise nos incita a rever as caracteristicas dos reality shows , inserindo-os na dinâmica mais ampla dos valores e dos embates sociais e no quadro da cultura. Por meio da analise de uma troca, propomos investigar o modo como as maes se inserem no novo lar e as relacoes estabelecidas por elas nas novas familias. A luz do conceito de performance , e tendo desenvolvido uma grade analitica a partir dos acontecimentos fixos e centrais do programa, deparamo-nos com a convivencia conflituosa entre dois modelos de familia bastante distintos. No desenrolar da relacao, mais do que o papel da mae, atuaram os modelos culturais que instruiam a performance dos participantes e ressaltaram suas diferencas e contradicoes.
Intercom: Revista Brasileira de Ciências da Comunicação | 2016
Vera Veiga França; Fabíola Souza
This paper presents a reading of the television show Troca de Família, broadcast by Rede Record. The analysis of this reality show urges us to review the characteristics of reality shows, placing them in the broader dynamic of values and social conflicts and in the context of culture. Through the analysis of an episode, we propose to investigate how mothers insert in the new home and the relations that they establish in new families. Illuminated by performance concept and after we have developed an analytical grid based on fixed and central program events, we are faced with the conflicting coexistence between two very different family models. During the relationship, more than the role of the mother, acted cultural models that instructed the performance of the participants and highlighted their differences and contradictions.Este texto apresenta uma leitura do programa televisivo Troca de Familia , apresentado pela Rede Record. Sua analise nos incita a rever as caracteristicas dos reality shows , inserindo-os na dinâmica mais ampla dos valores e dos embates sociais e no quadro da cultura. Por meio da analise de uma troca, propomos investigar o modo como as maes se inserem no novo lar e as relacoes estabelecidas por elas nas novas familias. A luz do conceito de performance , e tendo desenvolvido uma grade analitica a partir dos acontecimentos fixos e centrais do programa, deparamo-nos com a convivencia conflituosa entre dois modelos de familia bastante distintos. No desenrolar da relacao, mais do que o papel da mae, atuaram os modelos culturais que instruiam a performance dos participantes e ressaltaram suas diferencas e contradicoes.
Rev. Famecos (Online) | 2009
César Geraldo Guimarães; Elton Antunes; Paulo Bernardo Vaz; Vera Veiga França
Belo Horizonte, founded on December 12, 1897, was a city created by decree and designed by a construction commission to be the new capital of the state. Its construction within a context of transformation, marked by the Proclamation of the Republic and the attempt to modernize the Brazilian economy and society, was linked to the feeling and the crisis of Minas identity.
Intexto | 2008
Vera Veiga França; Paula Guimarães Simões
Este artigo analisa uma telenovela brasileira contemporânea (Porto dos Milagres, Aguinaldo Silva e Ricardo Linhares, Rede Globo, 21h, 2001) como um cenario em que sao produzidas representacoes politicas e socio-culturais sobre a vida social. O texto busca mostrar como essa narrativa midiatica fornece elementos para a construcao do imaginario popular e de simbolos de identificacao e pertencimento e revela que as discussoes empreendidas na ficcao mantem estreita relacao com a realidade social. Assim, o texto procura demonstrar que a telenovela ocupa um lugar privilegiado no movimento de construcao de uma identidade nacional.
C-Legenda - Revista do Programa de Pós-graduação em Cinema e Audiovisual | 2001
Vera Veiga França
Contemporanea : Revista de Comunicação e Cultura | 2009
Vera Veiga França; Roberto Almeida
Caleidoscópio: Revista de Comunicação e Cultura | 2013
Vera Veiga França
Revista ECO-Pós | 2014
Vera Veiga França; Raquel Dornelas